Ratatouille Soundtrack Mp3 Download

  четверг 21 февраля
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“RATATOUILLE's soundtrack is more like the dish it's named after, 'a peasant's dish,' mixed, quaint and satisfying, than it is a 12-course, gourmet feast.” Giacchino Stirs Things Up Review by Christopher Coleman I have to admit it. Prior to Walt Disney/Pixar's release of their 2007, 3-D animated feature film, I had no idea of what the word was or how to spell it.

After their subtly enticing marketing plan for the film, which inevitably got me into a theater filled with more 'big kids' than little ones, I have become quite clear on what RATATOUILLE is and, as you see, can spell it. Director Brad Bird's latest effort, after the surprisingly good IRON GIANT (1999) and then, put simply, Pixar's best feature to date, THE INCREDIBLES (2004), is a charming flick that, for the most part, met my expectations. Decent story, interesting characters, and cutting edge 3-D animation are Pixar's staples and RATATOUILLE delivers on all three fronts.

Thankfully, but with much respect, Pixar didn't dip into the Randy-Newman-bag again and instead wisely chose composer MICHAEL GIACCHINO to provide the musical ingredients this time 'round. How much one appreciates Giacchino's work here will greatly depend on the context in which the score is heard. In terms of the in-film experience, Michael Giacchino's score works perfectly. He once again demonstrates that there is a deep well of talent from which he seems to drawn upon project after project.

The composer himself has admitted that RATATOUILLE was one of his biggest challenges to date. The film delivers some interesting ingredients that, if not mixed with the right 'yeast' of score, would have ended up.well, flat.

Let's look at some of those ingredients for a second. RATATOUILLE is one of Pixar's most 'adult' films and while there are slapstick-laughs for the kiddies, they aren't as numerous as one might anticipate. Instead, the dialogue and character idiosyncracies provide the bulk of the laughs - laughs which are above most young one's little heads. The setting is an idealized-modern-day-France. The subject is cooking and food.in France. The protaganist is a rat who just wants to cook good food.

Now what would be so challenging about writing a score for that? Well, Michael Giacchino meets the challenge head-on.